Your Weird Western StoryBundle Linky Roundup

Here you go, my darlings!  All the links to author interviews and cool musings.  This post will be updated as new pieces come on line.

Here’s your direct link to the Weird Western Bundle, where you can choose to purchase four novels or all ten novels.  You’ll also have the opportunity to donate a portion of your purchase to Girls Write Now, a fantastic organization dedicated to teaching the writing skills necessary for success.

Here’s the launch post posted by Gemma Files, whose award-winning novel Book of Tongues is in the bundle.

Joe Bailey, author of Spellslinger, chatted here with fellow bundle-author Kyra Halland (author of bundle book Beneath the Canyons) about mixing magic in Westerns.

Next up, Kyra Halland interviews Tiberius Bogg, the mountain man of Steven White’s Hair of the Bear and New World. You’ll find BOTH those novels in the bundle!

Now we have Steven White’s interview of Idyll author James Derry, chatting about writing, publishing choices, and his other-planetary Western.

Then Walt Starboard, the rancher’s son training to be a county doctor in Derry’s Idyll, tells you about life on the other-planet settlement, including his mother’s coma-inducing illness.

More links to come!

#SFWApro

The Expectations and Fault Follow-Up

In the comments to Making the Nice-Guy Challenge a Safe One, mrissa and scallywag195 both shared questions and perspectives I wanted to answer in more detail. That “more detail” ended up being much longer than I thought… but here it is!

Questions from mrissa first:

My question is twofold:

1) In what context would his actions have been reasonable in a class/mat setting? In what context is “respond as though someone who is not in pads etc. is the actual attacker” the correct scenario? If this was a mismatch of reasonable expectations, I am having a hard time seeing where his expectation was reasonable.

The short answer is, “When Sensei says so.” Continue reading The Expectations and Fault Follow-Up

Making the Nice-Guy Challenge A Safe One

In 2013, I made a mistake that still affects my physical abilities—everything from Okinawan weapons training to using a screwdriver.100_2182

Two students, father and son, began classes at my dojo. The son was an energetic eight-year-old. The father was a six-foot-six retired drill sergeant who’d trained in a similar style about twenty years prior, but who wanted to start again as a white belt in order to train with his son, and had observed enough of my classes to decide he wanted me as an instructor. He was the kind of returning student who makes a sensei’s job easier by acknowledging long-ago rank is not a measure of present ability. He was fun, supportive of his son and other students, perfectly respectful, and quick to smile. I liked him. Still do.

As I mentioned in The Snarky Partner, I teach hold escapes not only as a basic self-defense technique, but as foundational training for partner work. That’s what the man and his son were learning, alongside another dozen or so new students. As usual, one of the first escapes I taught was a shoulder-hold escape: the bad guy grabs your shoulder, and you break the hold. It’s a totally simple technique I’ve taught and performed thousands of times. I not only know how to teach it in a few minutes, I know the counters, the means to avoid injury, the importance of release, and so forth. So I worked my way around the circle of young and older students, letting them each try it a couple of times with me as their partner, before reaching the father.

I reached up to take hold of his shoulder with my right hand. Just as I grabbed, a younger student starting spinning in place. I gave the child my attention for two seconds—”John, eyes on Sensei!”—and that’s when the father whipped his arm around to perform the escape.

But he did it as if I were an actual attacker. He grabbed my hand, trapped my wrist, tugged my arm straight, whipped his arm around and brought it down on my elbow with force. Even though I dropped to my knees and fell against his leg (an attempt to put my straightened arm as parallel to his body as possible), everyone heard the crack and snap. Continue reading Making the Nice-Guy Challenge A Safe One

NEW StoryBundle: The Spirit of the Weird Western!

Personal Note:

OH MY DARLINGS I AM SO EXCITED FOR THIS!

Ahem.

 

Welcome to our Weird Western Bundle, where wide frontiers, flintlocks, whiskey and revenge meet swords, airships, terraforming, magic, myths, and dragons!  You’ll find stories here set in the snows of old Alaska and the heat of contemporary Arizona, post-Civil War San Francisco and post-colonization planets, and places that seem as familiar as any wooded mountain or wind-swept desert… until tigers and dragons and horses that are so much more than you might assume burst into the scene. The different aspects of the Weird Western spirit in this bundle will give fans of the genre something they haven’t seen before, and folks new to Weird Westerns a wide sampling of its fantastic offerings.

I was raised on a combination of SFF and Westerns. Star Trek and Gunsmoke, Asimov and L’Amour, Lonesome Dove and Battlestar Galactica. I was just as thrilled to shake the hand of Hugh O’Brian of Wyatt Earp fame as I was to meet Katherine Kurtz, author of the Deryni world. It’s been a joy discovering more writers combining the genres, raising their unique voices, and upsetting the familiar with the fantastic. The result is a Western setting that respects history and the people who created it while spinning in unique powers, esoteric challenges, and the terrifying magic of discovery.

You’ll learn the secrets behind the post-quarantined expanse of ranchland in James Derry’s Idyll, and the reasons the man of Joe Bailey’s Spellslinger is ready to make a stand. There’s the subterfuge and wild ride of Gemma Files’s Book of Tongues, and the smart, snappy adventure of Lindsay Buroker’s Flash Gold novellas

Dangerous wonders and determined enemies fill J. Patrick Allen’s West of Pale, and Steve White’s New World brings chainmail and strange powers to the frontier. Kyra Halland puts rogue magery and danger in a dusty Western town in Beneath the Canyons, and Kenneth Mark Hoover gives us a time-wandering lawman in Haxan.

And I’m thrilled to share the debut of Judith Tarr’s first novel of a new series, Dragons in the Earth, set in present-day Arizona, and filled with horses and dragons and the power of the desert itself.

If you’re already familiar with StoryBundle, and you’re ready for these great books, go right ahead and make your pay-what-you-choose purchase!  If you need a little more information, read on…

All Covers Large
Ten Novels, My Darlings!

StoryBundle lets you choose your own price, so you decide how you’d like to support these awesome writers and their work. For $5—or more if you’d like—you’ll receive the basic bundle of four great novels in DRM-free ebook format. For the bonus price of at least $14—or more if you’d like—you’ll receive all nine novels. If you choose, a portion of your payment will go toward supporting Mighty Writers and Girls Write Now.

The Weird Western Bundle is available for only three weeks. It’s a great opportunity to pick up the stories of nine wonderful writers, support independent authors who want to twist your assumptions about the West, and discover new writers with great stories along the way.– Blair MacGregor

The initial titles in The Weird Western Bundle (minimum $5 to purchase) are:

  • Haxan by Kenneth Mark Hoover
  • Dead West Vol 1.: West of Pale by J Patrick Allen
  • Idyll by James Derry
  • Spellsinger by Joseph J. Bailey

If you pay more than the bonus price of just $14, you get all four of the regular titles, plus five more:

  • Hexslinger Vol. 1: A Book of Tongues by Gemma Files
  • Horses of the Moon Vol. 1: Dragons in the Earth by Judith Tarr
  • Daughter of the Wildings Book. 1: Beneath the Canyons by Kyra Halland
  • The Flash Gold Chronicles I-III by Lindsay Buroker
  • New World Book 2: Hair of the Bear by Steven W. White

And as special thanks to our newsletter subscribers, all of you who subscribe get New World by Steven W. White for free! Grab the free first book in the New World series before you start on book 2, Hair of the Bear, found in the bundle.

This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

  • Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
  • Pay what you want (minimum $5): You decide how much these fantastic books are worth to you. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
  • Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
  • Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to Mighty Writers and Girls Write Now!
  • Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.

For more information, visit our website at storybundle.com, tweet us at @storybundle and like us on Facebook.

#SFWApro

“I Don’t Have Time to Write” Is Perfectly Valid

You’ll not be surprised, my darlings, to hear me admit a few things trigger me to rant on and on. You’ve seen this before, yes? Well, this time it’s the notion that a writer who says they haven’t time to write in truth doesn’t really want to write.

I don’t want to call out specific folks because the call-out doesn’t matter. Besides, some folks won’t understand the circumstances unless and until they find themselves hip-deep in them. But I do want to offer perspective to those who—right this moment, or in the past, or in the future—read those sorts of comments and opt to take them as truth. It’s for those who, already under stress, take the tossed-off judgment of those they admire as an accurate assessment of their own skill and determination.

ClearCamaraFeb2013 112

It’s for the person I was just a few years ago.

So.

Last summer, I sat on a panel at 4th Street focused on wellness for writers. I mentioned the idea that “real” writers write through pain, through dire life events, through depression and more, and answered it with, “That’s kinda bullshit.”

It’s actually real bullshit.

But I didn’t always think that way.

***

In my early twenties, I worked a fulltime office job by day and worked theater rehearsals and performances every night. I dragged a three-ring binder around wherever I went—scribbling out a few hundred words every day by investing my lunch hour and dinner hour in my stories. Two decades later, my acting buddies still recall how I huddled backstage, stealing a sliver of stage lights that spilled through the sets, to write a paragraph or two between my scenes.

Man, I was so busy! All I had was a lunch hour no one interrupted, time backstage when no one interrupted, and most of my weekends with nothing to do but domestic chores. So busy!

Then I had a child. My husband started a business while also working nights in a different city, so the care and feeding of another lifeform was pretty much my sole responsibility. Even when the business succeeded well enough for my husband to leave the night work behind, he was gone most of our son’s waking hours for the years of his young childhood.

Man, I was so busy! All I had (once we got past infanthood) were early evenings when my son was asleep, and the six hours a week I could afford to pay for a sitter who’d watch my son while I wrote. Unlike my pre-child years, I had not only inside-the-house domestic chores, but home maintenance chores, and evening karate teaching as well. Even though my husband did, frankly, more than his share, I still had more to do than before I had family commitments.

Then the business tanked, my husband broke his sobriety, and we lost our home. My son and I ended up living first with my parents, then on our own in a tiny refurbished Amish home on a farm owned by friends. Then the economy crashed, and I couldn’t even get a job at a fast food restaurant. Really, truly. When you’re fifty miles from a city, job prospects are few. So I learned to drive a tractor, to harvest and sell vegetables, to barter with my neighbors, and survive winters with the thermostat set at 52 degrees and months when the food budget for my son and I was under $150.

Man, was I busy! I took care of a 130+ acres’ worth of farm chores by day, and taught karate by night. But I still had household responsibilities as well, not to mention my son’s schooling and extracurricular activities, and the extra time involved in working with my husband (we never divorced) for visitation. All I had was the time after about nine at night, after a day of physical labor and intellectual work (I was homeschooling my son, remember), knowing for more than half the year I’d have to be up by dawn.

I didn’t write much.

Then my husband suffered two heart attacks back to back, and was soon diagnosed with terminal liver cancer and given four to six months to live.

Man.

Was I busy.

I didn’t write.

***

The next time someone tells you “everyone” can find time to write if they really, really want to, understand they’re using the wrong pronoun to express their personal truth. Understand, too, more than one person will read this and form a rebuttal with, “I didn’t mean that!

But you and I, my darlings, we both know how we might hear judgments when already under stress and feeling isolated. When already knowing our creative selves must wait weeks or months or years for attention, and when we can’t control how long that wait must be. Yes, yes, there is a portion of the seeking-writerly-advice audience who will suddenly become motivated by the realization they have hours a day they could spend writing. They tend to be more visible and vocal because, well, they have the time to be.

Those who don’t have time? That’s who I’m talking to right now—the folks I wish I’d had the time to talk with and hear from when I was fairly certain I’d never be a “real” writer because I couldn’t manage to write much in the sixteenth hour of my eighteen-plus hour day.

So take a breath, give yourself a break, and know most people who have not-writing commitments and challenges have all taken breaks–voluntarily or not–from story creation.  That’s not only normal, it’s healthy.

“I don’t have time” is not an excuse, my darlings. Quite often, it’s real life.

#SFWApro

O, Dreaded Prologue!

Common talk (and just about every critique group and workshop) says a writer should never use a prologue because prologues are so often written poorly. But… first chapters are often written poorly, too, as are fight scenes, descriptions, character backstory, depictions of horses, near-future science, and final chapters. But we do not advise writers to avoid writing them. We instead advise them to learn how to write them well.100_2471

So it should be with prologues. After all, not knowing how to write compelling prologues results in lots of bad prologues, which reinforces the mistaken notion that prologues are inherently terrible.

I’m no widely acclaimed or best selling author. I’m just a workaday gal who has to spend more time than others figuring out what works and what doesn’t, and why. So take my assessments with all the salt you wish.

Personally, I suggest smoked paprika instead. Or tarragon. Or fresh basil and black tea with a nice smoky whiskey…

Ahem.

Go ahead and add salt if you’d like.

***

So… Why write a prologue? Continue reading O, Dreaded Prologue!

Playing With Titles

I’m weary of referring to Book Three and Book Four, so I’m kicking around ideas.

I’ve mentioned before I want to keep the same rhythm for Three and Four — NOUN of NOUN.

The frontrunners right now are a word-match of ash, flesh, flame matched with life and strife.

Flame of Strife
Ash of Life

Flesh of Strife
Flame of Life

Ash of Strife
Blood of Life

Flesh of Life
Ash of Strife

… I don’t know. *stares at options*

And I don’t yet have a clue what I’ll do for covers. It’s not as if I can have the heads pop in from the top and bottom of picture this time.🙂

 

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Actively Wondering

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