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The Incredible Judith Tarr

It is my honor—and I mean that truly—to host author Judith Tarr today.

I first read Tarr’s work in the 1990’s, and continue to be swept up in her stories the moment I read the first page. Her novels encompass the fantastical and historical traditions fantasy readers yearn for, and entwines them with characters who are vibrant, real, flawed, and ever striving. Among my favorites of her works are the White Mare’s Daughter and Arrows of the Sun. Both open trilogies filled with marvelous things. The Washington Post said of her work, “Judith Tarr is as confident in describing the battlefields of war as she is in exploring the conflicts of love,” and I must say I agree completely!

So when it looked possible to include Tarr’s newest novel in the Weird Western bundle—and as a debut!—I was biting my fingernails until she said yes. This woman of sharp observation, honed craft, and polished wit tempered with wide life experience has offered you, my darlings, an opportunity to read Dragons in the Earth through StoryBundle before it’s available to anyone else.

And on top of all that, she agreed to answer a few questions for me!

Dragons in the Earth takes place in Tucson and surrounding areas. I’ve a love for the desert myself, and your respect for the land of your adopted home comes through in your work so strongly. You mentioned elsewhere your reasons for settling in the desert. What has surprised you about desert living? Is that a warning or an enticement?

As I’ve said elsewhere, I moved here for my health. What I didn’t expect was for it to be as livable as it is. “It’s a Dry Heat” is true. I can’t handle humid heat at all, but here, while it’s challenging (and I have to be out in a lot, with the horses), it’s amazingly tolerable. It does not hurt, either, that we build for it, design for it, and plan for it. We make the most of what cool we can find or manufacture.

The other surprising thing, from the being outside all the time standpoint, is that while the desert is notoriously full of snakes, scorpions, and attack cacti, swarms of biting insects are remarkably rare. I can be outside at night without getting eaten alive, and horseback riding in warm weather doesn’t require six layers of Kevlar and a quart of fly spray per horse. We do get barn flies around the summer rains, and mosquitoes if there’s standing water, but it’s nothing like what I dealt with every spring and summer in New England.

 I moved from Indiana to the foothills of eastern Colorado, so I completely understand the joy of (mostly) insect-free outdoor enjoyment!

Now, I’m a dog person. A dog person who adopts rescue pups and helps others understand their adopted dogs who have “a past.” What I’ve loved about reading your accounts of working with horses, on your blog and through Patreon, is comparing your explanations of equine communication to canine communication. Can you share a little bit about communicating with horses—the nonverbal exchanges, the predator-prey alignments, the differences between mares and stallions—and the depth you chose to include in your novel.

Now this could be a book.

And it is! Right here, folks can find Writing Horses—your fantastic guide to including horses in a novel without triggering horse-knowledgeable folks to throw said novel against the wall. Or across the stall.

Or a library!

As briefly as I can put it, horses communicate through movement, through body language and through what can be best be described as manipulating energy. They’re extremely subtle, and extremely complex in their interactions. Humans are at a severe disadvantage here; we’re focused in our heads, we’re loud, we’re clumsy, we lack nuance. Horses are extremely patient with us, but it’s a rare horse who doesn’t eventually just give up and stop trying if it’s constantly exposed to oblivious human body-screamers. That’s the checked-out barn potato but also the crazy spookmonster who freaks out about everything.

If a human tries to communicate with a horse on the horse’s own level, even if the effort is at best a clumsy approximation of what a horse would do, the horse tries very very hard to accommodate. That’s especially true of sensitive horses, and horses raised with the expectation that the humans will try to pay attention.

Then things happen. Like you’re longeing your horse on a 20-foot line, and not saying a word. “Riding” him from that far away. Moving him, changing his gaits, with tiny shifts of your own weight and attitude. Or you’re standing with your horse and you’re breathing with her and she started off anxious about something outside, but now she’s breathing slow and deep along with you, and the anxiety is gone. And stays gone as long as you keep that focus.

Magic.

Mares and stallions? Ah, the myths. Most basically, stallions aren’t the wild hormonal maniacs they’re made out to be. They’re strongly controlled by their instincts, yes, but it’s the mares who control them. Which means human women get along great with stallions. Better than men. A man can be a rival, but a woman is the alpha mare, and he’s wired to defer to her.

Just recently I was going to ride my stallion, but one of my mares wanted the session. As I led him past her, he went nutty. She was driving him off his tiny head with her targeted mareness. I seriously could not get him to focus–and he’s well trained, very smart and wise, and bonded to me. She manipulated him right out of the session. So she got the ride, and he calmed down the minute he was back in his stall with his pile of hay.

And these aren’t even ancient Powers hiding on a ranch outside of Tucson.

Well. Maybe that’s not actually true.

Dragons in the Earth puts together a bunch of elements we often associate with isolation and solitude—a desert setting, caretaking, spiritual and magical undercurrents. What choices and opportunities do you find this provides your characters and their developments?

It lets the characters be very much a part of the landscape and the climate and the overall spirit of the place. At the same time, since that isolation happens just a few miles outside of a city of half a million humans, on land that’s been occupied continually for millennia, there’s the option of entering the urban energy sink and using that to power certain aspects of the magic. Which I will be contemplating for the sequels, because Tucson Magic is a real thing, and it’s urban as well as desert and wilderness.

That’s the thing about the city, in fact. Twenty minutes outside of a heavily populated area is desert or mountain or forest. There’s real wilderness out there. Mountain lions and bears. Bighorn sheep. Saguaro forests. Then you turn around and drive down and you’re in the mall or the University or the barrio.

And even there, you’ll find tiny enclaves: houses with a pipe pen and a couple of horses in back, a garden that’s been there since the Spanish Colonial days, an old sacred hill that looks down on the inner city. There are thousand-year-old pit houses in the middle of the city, or at highway interchanges. And cutting-edge aerospace and biotech, and the airplane graveyard out by the air base.

The stories write themselves.

Would you share your most memorable desert experience?  Your most memorable equine connection?  Either or both?

Oh gosh. There are so many. The mare manipulating the stallion with her hormones–that was a couple of weeks ago. She does things like that all the time. So do the rest of the horses.

For pure desert experience, one of my favorites was a couple of years ago. A writer friend was in town researching a book, and we went down to the Presidio and poked around the remnants of colonial Tucson. From there we headed to Saguaro National Park West, and back in time: we climbed Signal Hill to see the petroglyphs. It was the summer Solstice, 109 degrees F, and we were up on the edge of the sky, where the old ones left messages for the gods and each other. That was a very Tucson day.

What’s coming up next for you, and how can folks who love Dragons in the Earth be informed?

I’m working on a sequel to my space opera, Forgotten Suns, and also on the next Tucson Magic/Horses of the Moon story. I talk about these things intermittently on facebook (with much horse and farm detail), and more often on twitter, where I’m @dancinghorse. Twitter is a good place to find me.

I also have a Patreon, where I post bits of horse and farm news and snippets of fiction. That’s here: https://www.patreon.com/dancinghorse

As a Patreon supporter myself, I can highly recommend it!

Thank you so very much for your time, Judy!

Judith Tarr’s current new release, Dragons in the Earth, is available exclusively through  StoryBundle until September 8!

If you’re ready for more, check out Dancing Horse Farms for information on Tarr’s writer mentoring, and her Horse Camp for Writers.

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Your Weird Western StoryBundle Linky Roundup

Here you go, my darlings!  All the links to author interviews and cool musings.  This post will be updated as new pieces come on line.

Here’s your direct link to the Weird Western Bundle, where you can choose to purchase four novels or all ten novels.  You’ll also have the opportunity to donate a portion of your purchase to Girls Write Now, a fantastic organization dedicated to teaching the writing skills necessary for success.

Here’s the launch post posted by Gemma Files, whose award-winning novel Book of Tongues is in the bundle.

Joe Bailey, author of Spellslinger, chatted here with fellow bundle-author Kyra Halland (author of bundle book Beneath the Canyons) about mixing magic in Westerns.

Next up, Kyra Halland interviews Tiberius Bogg, the mountain man of Steven White’s Hair of the Bear and New World. You’ll find BOTH those novels in the bundle!

Now we have Steven White’s interview of Idyll author James Derry, chatting about writing, publishing choices, and his other-planetary Western.

Then Walt Starboard, the rancher’s son training to be a county doctor in Derry’s Idyll, tells you about life on the other-planet settlement, including his mother’s coma-inducing illness.

Updated August 31:

JP Allen , author of West of Pale, talks with Joe Bailey about the deeper underpinnings that draw him to writing Weird Westerns and the upcoming sequel.

Next, JP Allen hosts Kenneth Mark Hoover, author of Haxen. He shares his thoughts on the importance of history, consistency, and worldbuilding in creating a strong Weird Western.

Once again, Kyra Halland opens her blog to host a bundle author, and this time it’s Judith Tarr, whose newest novel Dragons in the Earth is debuting in the Weird Western Bundle. She shares the Tucson Magic and love of horses that combine with dragons in this fabulous series opener.

Updated September 4:

BookView Cafe hosted a really fun and insightful exchange of Fire and Ice between Judith Tarr (Dragons in the Earth) and Lindsay Buroker (Flash Gold) comparing the elements of their novels set in Tucson and the Yukon.

If you enjoy Weird Westerns–either as a long-time love or a brand-new discovery–you don’t want to miss the conversation between Kenneth Mark Hoover (Haxan) and Gemma Files (Book of Tongues) on what works and research has contributed to her novels.

Then Gemma Files (Book of Tongues) hosted Kenneth Mark Hoover (Haxan) for a discussion about the darker elements of Weird Westerns and a love for New Mexico.

Updated September 6:

Let me direct you to Kyra Halland (Beneath the Canyons), who has done so much to support her fellow bundle-authors, giving her own interview with Joe Bailey (Spellslinger) to share more about her bundle novel, Beneath the Canyons.

Today, I have the honor of hosting Judith Tarr, whose latest novel Dragons in the Earth is debuting in StoryBundle. She tells us about desert magic, equine communication, and much more.

More links to come!

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NEW StoryBundle: The Spirit of the Weird Western!

Personal Note:

OH MY DARLINGS I AM SO EXCITED FOR THIS!

Ahem.

 

Welcome to our Weird Western Bundle, where wide frontiers, flintlocks, whiskey and revenge meet swords, airships, terraforming, magic, myths, and dragons!  You’ll find stories here set in the snows of old Alaska and the heat of contemporary Arizona, post-Civil War San Francisco and post-colonization planets, and places that seem as familiar as any wooded mountain or wind-swept desert… until tigers and dragons and horses that are so much more than you might assume burst into the scene. The different aspects of the Weird Western spirit in this bundle will give fans of the genre something they haven’t seen before, and folks new to Weird Westerns a wide sampling of its fantastic offerings.

I was raised on a combination of SFF and Westerns. Star Trek and Gunsmoke, Asimov and L’Amour, Lonesome Dove and Battlestar Galactica. I was just as thrilled to shake the hand of Hugh O’Brian of Wyatt Earp fame as I was to meet Katherine Kurtz, author of the Deryni world. It’s been a joy discovering more writers combining the genres, raising their unique voices, and upsetting the familiar with the fantastic. The result is a Western setting that respects history and the people who created it while spinning in unique powers, esoteric challenges, and the terrifying magic of discovery.

You’ll learn the secrets behind the post-quarantined expanse of ranchland in James Derry’s Idyll, and the reasons the man of Joe Bailey’s Spellslinger is ready to make a stand. There’s the subterfuge and wild ride of Gemma Files’s Book of Tongues, and the smart, snappy adventure of Lindsay Buroker’s Flash Gold novellas

Dangerous wonders and determined enemies fill J. Patrick Allen’s West of Pale, and Steve White’s New World brings chainmail and strange powers to the frontier. Kyra Halland puts rogue magery and danger in a dusty Western town in Beneath the Canyons, and Kenneth Mark Hoover gives us a time-wandering lawman in Haxan.

And I’m thrilled to share the debut of Judith Tarr’s first novel of a new series, Dragons in the Earth, set in present-day Arizona, and filled with horses and dragons and the power of the desert itself.

If you’re already familiar with StoryBundle, and you’re ready for these great books, go right ahead and make your pay-what-you-choose purchase!  If you need a little more information, read on…

All Covers Large
Ten Novels, My Darlings!

StoryBundle lets you choose your own price, so you decide how you’d like to support these awesome writers and their work. For $5—or more if you’d like—you’ll receive the basic bundle of four great novels in DRM-free ebook format. For the bonus price of at least $14—or more if you’d like—you’ll receive all nine novels. If you choose, a portion of your payment will go toward supporting Mighty Writers and Girls Write Now.

The Weird Western Bundle is available for only three weeks. It’s a great opportunity to pick up the stories of nine wonderful writers, support independent authors who want to twist your assumptions about the West, and discover new writers with great stories along the way.– Blair MacGregor

The initial titles in The Weird Western Bundle (minimum $5 to purchase) are:

  • Haxan by Kenneth Mark Hoover
  • Dead West Vol 1.: West of Pale by J Patrick Allen
  • Idyll by James Derry
  • Spellsinger by Joseph J. Bailey

If you pay more than the bonus price of just $14, you get all four of the regular titles, plus five more:

  • Hexslinger Vol. 1: A Book of Tongues by Gemma Files
  • Horses of the Moon Vol. 1: Dragons in the Earth by Judith Tarr
  • Daughter of the Wildings Book. 1: Beneath the Canyons by Kyra Halland
  • The Flash Gold Chronicles I-III by Lindsay Buroker
  • New World Book 2: Hair of the Bear by Steven W. White

And as special thanks to our newsletter subscribers, all of you who subscribe get New World by Steven W. White for free! Grab the free first book in the New World series before you start on book 2, Hair of the Bear, found in the bundle.

This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

  • Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
  • Pay what you want (minimum $5): You decide how much these fantastic books are worth to you. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
  • Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
  • Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to Mighty Writers and Girls Write Now!
  • Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.

For more information, visit our website at storybundle.com, tweet us at @storybundle and like us on Facebook.

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More About Ben Galley

I have a cool thing here, my darlings: Ben Galley — author of Bloodrush, one of ten novels in the Blog-Off Bundle — sharing a bunch of neat thoughts on writing and publishing.  Enjoy!

Why did you get into writing?Bloodrush Cover Final

The reason I got into writing is, very simply, that I am addicted to it, and I have been since a kid. My parent raised me on some of the best fantasy and sci-fi books around – epics like LotR and Dune, to classics like CS Lewis and Greek mythology. Those books and stories bewitched me, and when I started getting my own ideas, I threw myself into writing. I would spend all my spare time doing it. I wrote my first full-length novel at 11 and have been at it ever since.

Professionally speaking, I didn’t begin to publish my books until 2009. I’d just graduated from a music academy (another passion of mine), and was working in bars and clubs while trying to make my way with bands and solo project. Unfortunately, they simply weren’t going anywhere, and I decided that it was time for a change – that I was going to write for a living. That decision has led me to where I am today.

How come you chose to self-publish vs traditional publishing? Pros vs. cons?

When I fist started researching how to publish, I realised that I could take the skills I’d learnt as an independent musician and use them as an independent author. DIY self-publishing mirrored a lot of the steps to producing music and building a fanbase. I round out that by taking the reins myself, and going DIY, I could keep more of my royalties, keep creative control, retain my rights, get monthly royalty payments and real-time reporting, and work directly with the stores, all things I couldn’t necessarily do traditionally. Also, I wanted to publish then and there, not wait months to be taken on by an agent. Or, if I were to be successfully taken on by a publisher, the lengthy publishing schedule. Overall, the opportunities of DIY suited my entrepreneurial mindset, and that’s why threw myself into it. I may have been missing out on the advance and punchier marketing power of a traditional publisher, but DIY was what I wanted to do – to carve out a business with myself at the helm, and all the while get to do what I enjoy.

Continue reading More About Ben Galley

These Books, Those Books

The revisions for Breath of Stone are nearly complete!  Folks over at Patreon are getting a sneak-peak, and I’ll have a release date set for everyone within the coming week.

522-BreathOfStone-cover - CopyThe outlines for the third and fourth novels in the series are growing muscle and flesh, in no small part because of the contributions made by Patreon folks.  One patron opted for the reward of becoming a character in the novel, and the ensuing discussion of what role the character would play has providing a strong subplot and cultural creation.  Another patron’s input on medical matters has created an entire character arc I might not have considered otherwise.  And yet another has provided information on some travel opportunities that’ll enhance the upcoming two novels.

Sure, the actual putting-words-on-paper part of writing is solitary.  But you know what?  My actual writing process has always been based on community, and for that I am so grateful.

Speaking of community, I’ve met some fantastic, smart, and supportive writers through the Self-Published Fantasy Blog-Off, and am doubly happy to have the chance to work with some of them through StoryBundle.  The top ten novels are available in a single bundle for one more week.

All Covers LargeYou will like these novels, my darlings.  But you don’t have to take my word for it.  (Though why you wouldn’t is absolutely beyond my ken…)  The books in the bundle have been extensively viewed, reviewed, and vetted by ten great book bloggers.  Take their word for it.  And mine.  Combine our words, for heaven’s sake.

And choose what you’d like to pay for the bundle.  And, if you’d like, send some of that chosen payment toward Girls Write Now.

And speaking of the SPFBO, I’ve opted to submit Sword and Chant for the upcoming round, and it looks like I’ve been assigned to the good folks over at Fantasy Faction.  Someone asked me if that increased or decreased my “chances” of moving ahead.  The answer is… who knows!  I suppose I could spend a ton of time analyzing their tastes and preferences, but it in the end, such scrying won’t mean a thing.  Taste is taste, and how a story strikes a reader can change depending on the day, on what was read before, on what was read after.

SwordAndChant-cover1-white-2500pxAnd  I’ve said before, it’s a different sort of novel–written in omni, with a very large cast, that plays with tropes about blood, assassins, gods, and rebellions.  It’s my heart-novel, in many ways.  I’d guess about a third of folks who start Sword and Chant decide it is so  not the story they want, and many of the things those readers dislike are the things other readers do like.  The cool thing about self-publishing is I can choose to keep writing for folks who like it. 🙂

But to make myself (and, hopefully, you!) happy I’ve also opted to put it on sale.

 

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Crista McHugh on Writing, Publishing, and the SPFBO

Award-winning and best-selling author Crista McHugh’s novel A Soul For Trouble is one of ten fabulous fantasy novels in StoryBundle’s Self-Published Fantasy Blog-Off bundle.  Fellow SPFBO author William Saraband (Shattered Sands) had a few questions for her about the novel, her writing process, and the SPFBO experience:

William: Your book, A Soul for Trouble, is an interesting mix of two big genres: Fantasy and Romance. In your view, how do these two forces complement each other?

Crista: Romance and Fantasy are not mutually exclusive from each other. If you look at many fantasy books, there are quite a few romantic couples. Westley and Buttercup. Aragorn and Arwen. Eowyn and Faramir. Rhapsody and Ashe. Janelle and Daemon. Richard and Kahlan. I just happen to like a little more of a happy ending in my stories than say… G. R. R. Martin. After all, if the hero saves the world, s/he should get the guy/girl, right?

A Soul For Trouble Cover Final

W: Sanity, or the lack of it, is an important part of the plot. What fascinates you about this particular element of human existence? How well does Trouble face her challenge, in comparison to how you would do in her place?

Crista: I’m a doctor in real life and have seen a variety of mental illness in my practice. Although some people are happier being disconnected with reality, there is this primal fear of losing control of one’s mind. In A Soul For Trouble, I explored this fear from the beginning where Trouble sees the prior Soulbearer and knows what lies ahead for her. But on the flip side, there have been many academic studies done proving that woman are better at handling activities that involve pain, endurance, and multi-tasking than men, so Arden (Trouble) should have an upper hand over the prior male Soulbearers simply by being a girl. She stills fears her fate. She still fears the influence Loku has over her. But she has this inner toughness to combat these challenges and a no BS tolerance that helps her deal with Loku. And I don’t think I would’ve handled her situation as well as she did.

W: This is only one of many books which you have successfully self-published over the years. What elements do you find most appealing in the whole process, and are there any downsides?

C: I love the control. I can schedule my books around my work and family schedules. I control the covers and the contents. I can discount books when I want. But the downside is that I’m responsible for everything – I can’t just let someone else deal with it.

W: After self-publishing one of your books, do you ever find yourself plagued by second thoughts?

C: Always. Even after the book is in the wild, I sometimes revisit it a few weeks or months later and wonder if I should’ve tweaked something or changed a scene or a cover or even a character’s name. But the great thing about self-pubbing is that I can make those changes

W: The SPFBO contest, put together by Mark Lawrence, was a completely new experience to most who were involved. How did you benefit from it?

C: I loved that I had a chance to meet new readers and bloggers through this contest. There are so many books out there these days that contests like this help readers identify some of the best books out there.

W: In terms of your writing experience, are you a methodic person, or do you ust let your creativity flow as you go along?

C: I am both a plotter and a planner. I treat my writing like a career. I plan releases, sales, giveaways, etc, so I can do what’s best for my career. And since my writing time is limited, I find that sitting down and knowing what I have to accomplish in that scene helps get the words flowing and on the page.

W: Finally, a second edition of the SPFBO is in the works. What would you say to those writers out there who are thinking about giving it a go?

C: Definitely give a go! You have nothing to lose and so much to gain. But make sure you submit your best possible work – great cover, polished stories, catchy blurbs and opening pages.

To discover more about A Soul For Trouble, and the additional nine winning novels of the Self-Published Fantasy Blog-Off, check out StoryBundle.  The bundle is only available for another 13 days!

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StoryBundle of Indie Winners

“Ten fine bloggers and blog-sites spent a year considering almost three hundred self-published fantasy books to bring you their ten favorites. It’s hard to imagine you won’t find some gems among them.” — Mark Lawrence

This is a unique bundle to curate as its books were chosen not by me, but by reviewers who took part in the first Self-Published Fantasy Blog-Off organized by Mark Lawrence. Each reviewer received over twenty-five books and a mission: Choose one. This bundle contains the books those reviewers put at the very top of their list.

The SPFBO Bundle includes some of the coolest indie fantasy around. Crista McHugh’s A Soul for Troublegives you a witch named Trouble, possessed by the god of chaos. William Saraband’s Shattered Sands follows a slave girl suddenly empowered by forces older than the desert itself. You’ll delve into the more-than-murder mystery of Matthew Colville’s Priest, and follow another priest trying to save the world after the gods disappear in Barbara Webb’s City of Burning Shadows. And The Weight of A Crown from Tavish Kaeden serves up the deep epic of a recently-united realm on the verge of fracturing.

There is the sharp warrior who knows the value of leaving heroism behind in Under A Colder Sun by Greg James, and the ruined hero who chances into a way to surmount the past in David Benem’s What Remains of Heroes. Plague Jack delves deep into a brutal world of conspiracies, consequences, and backlash against a conqueror in Sins of a Sovereignty. Ben Galley smacks a young man into a frontier Wyoming filled with blood magick and secrets in Blood Rush. And Michael McClung’s The Thief Who Pulled On Trouble’s Braids—the novel scoring highest in the Self-Published Fantasy Blog-Off—races along with a sassy, smart thief who must find an artifact everyone thinks she already has before she’s killed for it.

StoryBundle lets you choose your own price, so you decide how much you’d like to support the writers. For $5—or more, if you’d like—you’ll receive the basic bundle of five novels in DRM-free ebook format. For the bonus price of at least $15, you’ll receive all ten novels. If you choose, a portion of your payment will go toward supporting different charities such as Mighty Writers and Girls Write Now. Over the years, StoryBundle and its participating writers have donated thousands to support awesome charities doing great work.

The Self-Published Fantasy Blog-Off Bundle is available for only three weeks, so now is the time to pick up this unique collection of reviewer-beloved fantasy novels, and discover new independent writers who want to take you on thrilling adventures through worlds you’ve never seen with characters you want to know (even if a few of them are rather terrifying).

So here’s how you get your hands on this marvelous collection:

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you feel generous), you’ll get the basic bundle of five books in any ebook format worldwide:

  • Shattered Sands by W. G. Saraband
  • The Weight of a Crown by Tavish Kaeden
  • Priest by Matthew Colville
  • What Remains of Heroes by David Benem
  • A Soul for Trouble by Crista McHugh

If you pay more than the bonus price of just $15, you get all five of the regular titles, plus five more:

  • Sins of a Sovereignty by Plague Jack
  • The Thief Who Pulled on Trouble’s Braids by Michael McClung
  • Under a Colder Sun by Greg James
  • Bloodrush by Ben Galley
  • City of Burning Shadows by Barbara J. Webb

The bundle is available for a very limited time only, via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

  • Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
  • Pay what you want (minimum $5): You decide how much these fantastic books are worth to you. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
  • Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
  • Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to charity.
  • Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. For more information, visit our website at storybundle.com, tweet us at @storybundle and like us on Facebook.

#SFWApro