Via a Twitter link, I came upon Infodump, Mary Sue, and Other Words That Authors Are Sick of Hearing. I’m a little bit in love with it, truly. Don’t even attempt the comments unless you want to watch a rehash of the years-long debate of what Mary Sue actually means, and what every single commenter means when they use it. Trust me: if you weren’t sick of hearing Mary Sue before reading the comments, you will be after. It’s rather interesting, though, that of all the terms in the article, it’s the Mary Sue that got most folks all a-chatter.
A brief Twitter conversation came up between some writers, including the comment that new writers are told not to use the omniscient viewpoint because editors don’t want to see it. I do wonder how many lovely books have been lost over the years because of that.
If you haven’t already, head over to Maggie’s journal for The Uncomfortable Trail-Blazer. (There you’ll also find a link to the interview she did with Publishers Weekly, which is, y’know, pretty darn cool.) Pay close attention to the section on the publishing reality of 100 good books for only 45 publishing slots: “At the end of the day, there were 1000 books worth publishing, and 45 got through the door. And there was nothing the remaining 955 authors could have done to better their chances. “Write a better book” is false advice, because many better books still failed. “Write a more marketable book” is better advice, but it requires you to understand the market, be willing to write to it, and get it to someone before the trends change… and the book still might fail”
That cannot be said enough, and writers deserve to know it, understand it, and plan their careers accordingly.
Lastly, Publishers Weekly presented The Rise of the Seven-Figure Advance. Ostensibly, the article is about a seeming increase in mega-advances being given out, particularly to writers who have no BookScan records. But it’s really quite a peek into how the industry is evolving, and it’s the first time I’ve seen mention of certain predictions come to pass. As reasons for high advances, anonymous insiders say the “pool of talent is shrinking” because there are now fewer submissions, and publishers are having to prove themselves because of the success being found in self-publishing.
Really, truly, go read the whole thing because that little article just quietly confirmed publishers and agents are now caught up with the backlog of slush enough to realize the number of manuscripts that aren’t there anymore.